Artists | Clifford Charles

2016
Tiisetso Molobi
Lazi Mathebula
Pamela Clarkson
Atta Kwami
Mongezi Ncaphayi
Em'kal Eyongakpa

2015
Atef Berredjem
Rehema Chachage
Mohamed Ahmed Abdel Rasoul

2014
Moshekwa Langa
Bernard Akoi-Jackson
Helen Zeru Araya
Admire Kamudzengerere

2013
Ashraf Moneim
Awaad Issa
Lara Bourdin
Zanele Muholi
Louis Boshoff
Ruan Hoffmann
Krishna Luchoomun
Sultana Haukim
Adriaan de Villiers

2012
Koyo Kouoh
Michele Tabor
Viktor Ekpuk
Santu Mofokeng
Mihret Kebede

2011
Hasan and Husain Essop
Nisren Abasher Ahmed
Leo Lefort

2010
Akintunde Akinleye
Akirash
Ndikhumbule Ngqinambi
Ruan Hoffmann
Michael Tsegaye

2009
Adriaan de Villiers
Hadia Gana
Zanele Muholi

2007
Victor Ekpuk
Doreen Southwood
Clifford Charles
Assefa Gebrekidan

2006
Guy Wouete
Thulani Shongwe
Nicholas Hlobo
Doreen Southwood
Odili Donald Odita

2005
Rehab El Sadek

2003
Papisto Boy
John Murray
Isaac Carlos
Rose Kirumira
Dominique Zinkpé

2002
Senzeni Marasela
Tarek Zaki
Kheto Lualuali
Meshac Gaba
Darryl Accone
Nawaal Deane
Henk Rossouw
Rafs Mayet
Louis Mhlanga

2001
Krishna Luchoomun

2000
Moss Mogale
Samson Kambalu
Abrie Fourie
Dominique Fontaine
Ilse Pahl

1999
Saliou Traore
Alassane Drabo
Harry Mutasa
Moshekwa Langa
Jeremy Wafer

1998
Mustafa Maluka

1997
Shepard Mtyshelwa
Liza du Plessis
Allina Ndebele
Greg Streak
Dominic Tshabangu

1996
Stephen Maqashela

1995
Ina van zyl
Progress Matubako

1993
Tito Zungu
Noria Mbabasa
Helen Sebidi
Sue Williamson
David Koloane
Andries Botha
Pat Mautloa

1992
Sandra Kriel
Clifford Charles
Dianse Paulse
Sarah Tabane

South Africa
Clifford Charles

‘Painting is an uninhabited space of not being - yet being. A contradictory and ironical motive: for the action of painting becomes an act of nothingness. Unbundled by the known. Active meditation and contemplation, not to defy or define - just being. Moving to a thoughtless moment of listening (to oneself), till one exhausts words.’

Clifford Charles first set foot in Europe nearly a decade ago, at the invitation of the Thami Mnyele Foundation. Since then he has maintained close ties with the Netherlands. Last summer he exhibited at the 50th Biennale in Venice.
In the 90’s, Clifford Charles made a series of oil paintings depicting human figures as bloody, aggressive beings brandishing whips and sometimes wearing gas masks. The monochrome background, which is usually white or yellow, serves to draw more attention to the figures. The paintings were titled ‘Metamorfoses’.
Presently his artistic practise is focused on expressions of contemplation. Working within the foundation of contemporary paintings and drawings, Charles challenges the notions of reception and the appreciation of art.

Clifford Charles links

www.akka.nl/hsal/docs/exhibition
www.artthrob.co.za/00sept

Thami Mnyele Foundation promotes the exchange of art and culture between Africa and the Netherlands.